Qué y por qué leer: Clásicos y portadas clásicas

por Carlos Abascal Peiró


Vía Facsimile Dust Jackets.

4562

Ernest Hemingway, The Old Man and the Sea, Jonathan Cape (1952)

40158

Ian Flemming, Casino Royale, Jonathan Cape (1964 reprint)

6407

Paul Bowles, The Sheltering Sky, John Lehmann Ltd. (1949)

5299

Virginia Woolf, A Writer’s Diary, Harcourt, Brace and Company (1954)

18424

Frank Lloyd Wright and Baker Brownwell, Architecture and Modern Life, Harper & Brothers (1937)

5809

Herman Melville, Moby-Dick, Grosset & Dunlap (1926 Warner Brothers movie edition)

6711

Albert Camus, The Plague, Hamish Hamilton (1948)

4846

Joyce Carol Oates, By the North Grave, The Vanguard Press (1963)

38119

Joan Didion, Play it as it Lays, Farrar, Straus and Giroux (1970)

4440

William Faulkner, The Mansion, Random House (1959)

4476

F. Scott Fitzgerald, The Great Gatsby, Charles Scribner’s Sons (1925)

6497

Nathanael West, Miss Lonleyhearts, Liveright Inc. (1933)

5881

Saul Bellow, Seize the Day, The Viking Press (1956)

5973

Don DeLillo, End Zone, Houghton Mifflin Company (1972)

4883

Thomas Pynchon, Gravity’s Rainbow, The Viking Press (1973)

6055

Ernest Hemingway, Death in the Afternoon, Jonathan Cape (1932)

4628

Franz Kafka, Amerika, New Directions (1940)

4922

Philip Roth, Goodbye Columbus, Houghton Mifflin Company (1959)

5261

P.G. Wodehouse, Something New, A. L. Burt Company (1915)

4716

Norman Mailer, The Naked and the Dead, Rinehart & Company, Inc. (1948)

30273

James Joyce, Ulysses, John Lane/The Bodley Head (1936)

4480-1

F. Scott Fitzgerald, Tales of the Jazz Age, Charles Scribner’s Sons (1922)

7115-1

P.G. Wodehouse, The Pot-Hunters, A. & C. Black, Ltd. (1902)

4215

Kingsley Amis, Lucky Jim, Doubleday (1954)

Anuncios